8 Replies to “ Discrete Method - Various - Hardcore Space Sound System (CD) ”

1. A Thorough Surround Test CD. A good place to start is with a surround sound test CD. If you have even subtle level differences between the various channels - or worse yet - phasing differences, the surround effects on these CDs will be extremely useful. One of the best I've heard so far is "Surround Spectacular - The Music/The Tests" [Delos DE.

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2. Independent music label based in New York, US, founded by Marek Kolodynski. Style ranges into spacesynth, italo disco and euro disco with an interest for electronica, chill-out, trance as well as dance music in general.

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3. Jun 22,  · Here’s a guide to figure out how much disk space is required for audio recording at various resolutions: (in approximate sizes) – 16 bit / kHz – 1 minute of 1 mono track – 5 MB (Megabytes) 1 minute of 1 stereo track – 10 MB – bit / 48 kHz – 1 minute of 1 mono track – MB 1 minute of 1 stereo track – 11 MB.

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4. Matrixed systems were called SQ, stereo-quadraphony (compatible), and discrete channel systems were known as CD. Figure 2 Schematic diagram of matrixed multi-channel audio system. Four input channels have been encoded to two channels for recording or broadcasting.

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5. The previous figure shows a live sound system setup. A typical setup of a computer-based audio recording and editing system is pictured in Figure While this workstation is essentially digital, the DAW, like the live sound system, includes analog components such as microphones and loudspeakers.

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6. Surround sound in one form or another has been a part of the film industry for many years, but the emergence of affordable digital technology has now pushed it into the domestic mainstream. Hugh Robjohns begins SOS's definitive guide to surround and its implications for the hi-tech musician.

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7. While the words analog audio usually imply that the sound is described using a continuous time/continuous amplitudes approach in both the media and the reproduction/recording systems, and the words digital audio imply a discrete time/discrete amplitudes approach, there are methods of encoding audio that fall somewhere between the two, e.g.

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8. Assume that a tuning fork creates a single-frequency wave. Such a sound wave can be graphed as a sine wave, as illustrated in Figure An incorrect understanding of this graph would be to picture air molecules going up and down as they travel across space from the place in which the sound originates to the place in which it is heard.

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